Time Magazine. “Signs of Spring.” April, 1950.
Ceramic Age. “Stylized Ceramic Sculpture.” July, 1950.
Robert M. Coates, “Contemporary Sculpture.” New Yorker, March 1952.
Robert M. Coates, “Hardy Annuals.” New Yorker, March 27, 1954.
Hans Sahl, “The Sculptor Peter Lipman-Wulf.” American-German Review. 1959.
Philadelphia Inquirer. “The Crucifixion.” March 29, 1959.
“Woodcuts by Peter Lipman-Wulf.” American-German Review. 1959.
“Sculptor at Work.” King Features Syndication. 1959.
Harvey Shaman, “Birth of a Bust.” Pageant Magazine. November, 1960.
The Reconstructionist. Title pages for eight issues: October-December, 1961.
R. S., “Triple Honors for Louis Horst.” Dance Observer. February, 1961.
Hartmund Sierig, “Freund, Bruder und Erloeser.” Die Kirche in Hamburg. August 6, 1961.
Stern. Hamburg. April 22, 1962. “Die Umarmung eine Holzfigur.”
Jeanne Paris column. Long Island Press. May 29, 1963.
Catherine Roberts, “Powerful Drawings of Lipman-Wulf.” The Villager. March 29, 1963.
Sy Oskeroff, “Profile of the Artist.” Long Island Magazine. August, 1963.
Irving Kolodin, “Portrait of Scherchen.” Saturday Review. November, 1964.
Daniel Nordin, “Critic’s Dilemma: Lipman-Wulf Tops in Two Art Forms.” New Haven Register. February 14, 1965.
Jane Margold, “He Finds Capital Subject in Sate of Don Quixote.” Newsday. May, 1966.
Gene Hunt, “At 64, Lipman-Wulf Learns New Language.” Bridgeport Sunday Post. April 23, 1967.
Heinrich Geissler, “Das Hohelied.” Staatsgallerie, Stuttgart. December 16, 1967.
Barbara von Bolton, “Peter Lipman-Wulf, Bildhauer und Graphiker.” Relief, Munich, 1968.
Don Cyr, “Conversations with Peter Lipman-Wulf.” Arts and Activities. Southern Connecticut State College, New Haven. May 1969.
Hilda Pertha, “Letters from Peter Lipman-Wulf: Sculptor and Printmaker.” Westart. June 20, 1969.
Ilsedore B. Jonas, “Herman Broch Exhibition at Adelphi University.” Modern Austrian Literature, No. 4. Winter, 1970.
Klaus W. Jonas, “Von Mexico bis Teesdorf.” German Review. April, 1970.
Hans Sahl, “Christy Brown’s Augen.” Aufbau, New York. 1972.
Bill Kaufman, “The Faust Legend.” Newsday. November 3, 1973.
Dennis Starin, “Suffolk Sculptor Learned Craft in Bavaria.” The New York Times. September 8, 1974.
Malcolm Preston, “A Sculptor Ages.” Newsday. 1977.
Malcolm Preston, “Two at Guild Hall.” Newsday. 1977.
Jeanne Paris, “Religious Expression.” Newsday. June, 1978.
Pamela Noel, “Music, Dance and Love are in His Hands.” Newsday. June 30, 1979.
Helen A. Harrison, “Enshrining the Musical Moment.” The New York Times. October 21, 1979.
Joan Carlson, “Crucifixion at Sag Harbor.” Southampton Press. July, 1979.
Helen A. Harrison, “When a Jury of One Makes Selections.” The New York Times. October 21, 1979.
Rena Fruchter, “Mix of Sculpture, Dance, Music is Enchanting.” Home News, New York, January 23, 1980.
“Song and Sculpture Join to Honor Ross.” The Island Courier. February, 1980.
“Dean of Choral Music Gets a Singing Tribute.” The New York Times. February 22, 1980.
Anna Lesesma, “Constellation at Rutgers.” The Rutgers Daily Targum. January 31, 1980.
“Dennis Starin Talks to Peter Lipman-Wulf.” The Bridgehampton Sun. June, 1980.
Christine Lyons, “Who’s Here.” Dan’s Papers, Bridgehampton. June, 1981.